I am currently attending a residency in Vermont Studio Center, Vermont USA. The residency invites up to 75 writers and artists to participate in their own studio practice for a predetermined amount of time in the company of other creative practitioners. During the first week, we, the aforementioned practitioners, have engaged in introductory conversations around the dinner tables etc, spouting the usual introductory dinner-table questions, e.g. “What’s your name?”, Where are you from?” etc. One recurring question has caused me an abundance of consternation time and again. That question is “What are you?” Continue reading “What Are You? – Society’s categories and labels”
Apologies to readers for the 2-week hiatus – I have been mid-adventure and things have been too hectic to write. This piece and the next few will follow up on this. Posts will be back to regularity from this week.
In Aldous Huxley’s Brave New World, the protagonist Bernard Marx finds himself on a holiday visiting a rural reservation. The visit is an insightful event showing a strange community that live outside of the “social norm” of this urban-centred world. This journey marks a decisive moment in the novel, where Bernard’s story is turned on its head by the people that he encounters and the adventure that he has with the “savages” in the wilderness.
This separation of urban and rural in Brave New World was part of Huxley’s tongue-in-cheek mockery of the society that he believed he was watching develop. The greatest threat brandished to citizens in Huxley’s dystopia is being forced to move to Iceland – a desolate and unpopulated island. This relocation was the deepest fear for Bernard, who was pleasantly settled in the urban landscape of central London.
A dichotomy between urban and rural Continue reading “Sent to Iceland: The idea of rural in contemporary society”