wood wide web
video, painting, interactive digital media, online
2020-21
Under the soil, trees and fungi connect together, sharing resources and messages. In healthy forests, trees can protect each other by warning of impending disease. But in mono-crop plantations, they cannot. The same may be true for other types of network.
As we move into the third decade of the 21st Century, many people are reconsidering how we live together. Can we find a posthuman future? Can we learn to depend on one another, and on our surrounding environment, mutually?
This is a project about networks, in forests, communities and technologies. The wildwood project supported the community planting of 39,000 native trees in an area near Kielder village, close to the Scottish-English border in England.
The project began in January 2020, which included a residency at Kielderhead Wildwood Project, Kielder, UK. The residency was part of the Visual Arts in Rural Communities programme ENTWINED: Rural Land Lives Art. The residency was postponed due to the COVID-19 pandemic lockdown restrictions. It eventually took place in April 2021.
As well as artworks, the research resulted in conference presentations, publications and community events. Publications and other project documentation are available on my artist page on VARC, see here.
Supported by National Lottery UK funding and travel supported by the Arts Council of Ireland.
never just a tree, 2020-21, video documentary, online
A series on the idea of networks, looking at the discovery of the "wood wide web", or how trees communicate with each other, and drawing this together with communities of people and digital networks online. Influenced directly and concequentially by the COVID-19 pandemic. This project was due to be carried out during a residency at Kielderhead Wildwood Project, Northumberland Wildlife Trust (UK), with Visual Arts in Rural Communities , but was postponed due to the pandemic restrictions on travel.
The first videos were made during social distancing, while research for the project continued (March-June 2020). The link between communication and isolation became part of the project.
Videos from the series Never Just a Tree can all be viewed on the series Vimeo channel hosted by VARC.
The title of the series is taken from a personal communication with Professor Lynne Boddy, Biosciences, Cardiff University. She was explaining that we need to look at trees in the context of all of their surrounding environment, not just as standalone objects.
the power of inconspicuous things, 2021, Raspberry Pi, side-glow fibre-optic cable, LED lights, plastic, wood, acrylic and oil on canvas, video monitor, live stream, 160 x 90 x 90cm
An interactive installation. Six people in groups are invited to enter a pitch dark room. They can explore the space, including some paintings, using tubes of light that are handed to them on the way in. If they give up their light, they create streams of “mycorrhizal” fibre optics, creating light for others by sacrificing their own. The work is about networks: human, forest and digital.
Photo here by Colin Davison, taken at VARC for the ENTWINED exhibition.
macalla, 2021, interactive online, photography, dimensions variable
A triptych of web-based artworks about trees, growth, hope, community and collaboration. These are linked in the images below. All of the photographs have been taken on-site at Kielderhead Wildwood Project, Kielder, UK during residency in April 2021.
Visit the online artwork at this link.
The protective tubes became a symbol during the residency of the human hand in this planting. While trees need a canopy to grow healthy, this is a small token that is offered to the trees by humans that are trying to do right by them, by way of protection.
What will the trees tell their future children and grandchildren? How will they explain what it was like to spend their first ten years inside a tube, never feeling the air, reaching up toward the sky?
'macalla' is the Irish Gaeilge word for 'echo', literally translated as 'child of a shout'.
the planting of varda wood, 2021, tree planting, documentation, dimensions unmeasureable
On May 4th 2021, Varda Wood, a stand of 20 birch trees, was planted with Kielderhead Wildwood Project. Joined by artist Catriona Gallagher and facilitated by Tash Hemsley and Graham Holyoak at Kielderhead Wildwood Project, we braved the wind, rain, hail, snow and sleet to plant the wood and named it in honour of the recently deceased filmmaker Agnes Varda, who brought us all together so often.
The planting was later documented in the ENTWINED project publication.
tash and catriona at work
it hailed, snowed, blew a gale and rained that day, between moments of sun
federated spaces, 2020, community engagement, interactive,
Part of the process in this project is trying to engage an alternate online community, outside of those represented by the mono-culture of centralised online platforms.
To this end, I contacted many activists and technologically-minded people, and here I document some of the interactions I had.
Note: The Fediverse is a collection of online, open source platforms for social interaction that operate outside the mainsteam platforms like Google or Facebook. Most of the platforms that I explore here are part of the Fediverse.
Note 2: I am absolutely not a supporter of technological utopia, but do believe that there are good ideas in technology, and want to explore these toward a better, and more mutually connected future. This includes ad-hoc, community led networks, and online platforms for sharing and information.
Socratic Dialogue, Mastodon
Using the online platform Mastodon, I carried out a Socratic Dialogue about the strengths and weaknesses of peer-controlled social networks.
The following link shows the full conversation, including a range of participants from different backgrounds: view here.
The Socratic Dialogue asked the question: "How to avoid an echo chamber...Is there a danger of exclusivity?", referring to the peer-controlled networks of the Fediverse.
The answers spawned the following list of results from the continued questioning:
- 1) Scale may be important: A smaller platform is potentially easier to manage
- 2) Rate of increase of scale is also important: If something scales too quickly then there might not be enough time for people to learn the etiquette and rules of a platform
- 3) Moderation is key. Moderators weed out debate that does not follow the rules or etiquette, and people self-regulate their streams
- 4) Distribution of power is a factor (linked to moderation) that allows for this self-regulation
- 5) One public sphere might not be enough – it might require many public spheres and many people interacting in different areas to create clear ideas
- 6) Online debate may provide a platform, but does not guarantee follow through. Real life interactions with people are needed to create positive social change
I built a blog on Pleroma, and a connected server, using Raspberry Pi and following this guide. This was put aside later, as I took too much on, but was an important step toward some future work in ad-hoc networks (see, for example, Assembly.
I have had profiles on Mastodon, PeerTube, Scuttlebutt and Diaspora; the latter has been active since 2013 but was recently retured (2022).
I work with open source technologies, including Raspberry Pi and Arduino, and use these throughout this project and others.
dialogical
The most important part of this project is the dialogues that happened with people directly involved, and with people outside the project who generously gave time, expertise, and engagement.
My thanks and love to all, acknowledged below!
influences
things I read or saw that helped create this project
- glenn albrecht Earth Emotions: New Words for a New World (2019) book
- karen barad what is the measure of nothingness (2012) book
- diana beresford kroeger to speak to the trees (2019) book
- rosi braidotti the posthuman (2013) book
- judith butler the force of nonviolence (2020) book
- deleuze and guattari anti-oedipus (1977) book
- michel foucault madness and civilisation (1961) book
- kristoffer gansing and inga luchs the eternal network (2020) book
- ben grosser minus (2021) artwork
- david haskell the forest unseen (2013) book
- katie holten about trees (2015) book
- erling kagge silence (2017) book
- anna lowenhaupt tsing the mushroom at the end of the world: on the possibility of life in capitalist ruins (2015) book
- john mcgahern that they may face the rising sun (2002) book [LIT]
- joana moll DEFOOOOOOOOOOOOOOOOREST (2016) artwork
- lucy neal playing for time (2015) book
- laure prouvost deep sea blue surrounding you (2019) artwork
- mary robinson climate justice (2016) book
- merlin sheldrake entangled life (2016) book
- nan shepherd the living mountain (1977) book
- suzanne simard finding the mother tree (2021) book
- henry david thoreau walden (1854) book
- olga tokarczuk drive your plow over the bones of the dead (2016) book [LIT]
- colin tudge the secret life of trees (2005) book
- peter wohlleben the hidden life of trees (2015) book
- andrea wulf the invention of nature (2015)book
collaborators
colleagues who worked on this project with me
VARC partners:
- Steven Lipscombe, Project Officer Northumberland Wildlife Trust’s Kielderhead Wildwood Project
- Graham Holyoak, Project Manager, Kielderhead Wildwood Project
- Menelaos Gkartzios, Senior Lecturer in Planning & Development, Centre for Rural Economy, Newcastle University
- Professor Mike Collier, Artist, Professor of Visual Art, WALK Research Group, University of Sunderland
- Janet Ross, Artist, Project Director, Visual Arts in Rural Communities, Highgreen
- Helen Pailing, Artist, Project Director, Visual Arts in Rural Communities, Highgreen
- Professor Ysanne Holt, Professor of Art, Northumbria University
- Cynthia Morrison-Bell, Highgreen House, Northumberland
Kielderhead Wildwood Project and VARC friends and collaborators:
- Katy Barke, Northumberland Wildlife Trust
- Jerome Stonborough, Volunteer planter, Kielderhead Wildwood Project
- Stephen Pardue, Director, Differentia Design, Hexham, Northumberland
- Alan Fentiman, Filmmaker, Northumberland
- Tony Williams, writer, Associate Professor, Humanities, Northumbria University
- Sandra Johnston, Performance Artist, Newcastle/Northern Ireland
- Craig Shearer, Director, Alba Tree Nursery, Scotland
- Fay Hartland, Head Teacher, First School Kielder
- Simon Banks, Local resident, Forestry England employee
- Russell Stephenson, Forestry England Employee, Kielder Castle Manager
- Catherine Johns, CEO Kielder Observatory
- Natasha Lund, Arts Development Kielder Observatory
- Geoff Sample, sound artist
- Katrina Porteus, writer and poet
- Mike Jeffries, ecologist, Northumbria University
- Matt Kelly, Professor of Modern History, Northumbira University
- Steve Webb, Kielder Campsite, Kielder
The other VARC resident artists:
- Sam Douglas: VARC profile, Based at VARC (Highgreen) 10 months (June 2019 – April 2020)
- Emily Ketteringham: VARC profile, Based at Unison Colour 1 month (2020)
- Catriona Gallagher: VARC profile, Based at VARC (Highgreen) 10 months (June 2020 – April 2021)
- Robbie Coleman & Jo Hodges: VARC profile, Based at Tarset Village Hall 1 month (May – June 2021)
- Bridget Kennedy¸: VARC profile, Based at The Heritage Centre at Bellingham 1 month (June – July 2021)
- Andrew Burton, associate
- Kate Liston, associate
Experts that I have reached out to:
- Professor Lynne Boddy, Professor of Fungal Ecology, Cardiff University
- Cathy Fitzgerald, Artist, Founder of Hollywood Forest, Co. Carlow
- Rachel O’Dwyer, Lecturer in Digital Cultures, National College of Art and Design, Dublin
- Rosi Braidotti, Philosopher, Distinguished University Professor, Utrecht University
- Professor David Johnson, Chair in Soil Microbial Ecology, University of Manchester
- Professor Glenn Albrecht, environmental philosopher, Australia
- Steven Meyen, Forestry Development Officer, TEAGASC Irish Forest Agriculture Service
- Emily Kawano, Co-Director of the Wellspring Cooperative Corporation, Massachusetts
- Jamie McClelland, Founder, May First, USA
Friends, colleagues, comrades:
- Roberta Bacic, Curator, Conflict Textiles
- Dave McMullen, Electrical Engineer, Wind Turbines Ireland
- Marc Rome, Artist, Director Gstaadfilm/Wandelbar Art International, Bern, Switzerland
- Bert Finan, uncle, artist, Canada
- Amy Bunce, my muse, my partner and the inspiration and guide for everything that I make
financial support
people or organisations who helped fund the work

- Arts Council of Ireland Travel and Training award and COVID_19 Response award
- VARC ENTWINED and Northumberland Wildlife Trust