untangle
research, socially engaged practice, film, installation, string figures
2024-25
I was selected as one of seven artists to participate in the Síolta Glasa project from 2024-25. This project was led by Limerick Arts Office partnered with the University of Limerick (UL). Each artist worked with a community group in Limerick, exploring climate action with the group and developing projects together.
My partner group was Friends of Lace Limerick, a group who come together to make lace in the style of Limerick Lace, and teach classes in this.
Working together, we developed a plan to work on climate action through considering the impact of fast fashion. Limerick Lace was precious, admired around the world in the 19th Century. Today, clothing is manudfactured at a fast rate and little value is afforded to it.
Using film, socially engaged art in a shopping centre, installation and string figures, I developed works that considered the history of manufacture and art, and asked people to contirubte ideas about the complex entanglements between technology, climate and clothing.
eva, 2025, Film, HD video, dimensions variable
A documentation of the making of Limerick Lace, filmed to capture the slow process.
untangle, 2025, socially engaged sculpture, performance, string figures, dimensions variable, sculptural centerpiece 234 x 115 x 78cm
Artist Shane Finan developed a socially engaged sculptural artwork in response to the conversations and methods explored with Friends of Lace Limerick. This artwork consisted of a large-scale mesh on a sculptural installation, mimicking the lacemaking mesh. Considering clothing manufacture from the perspective of manufacturing histories, critical technologies and capitalist systems, Shane chose to present this artwork in the thoroughfare of the Arthur's Quay Shopping Centre on August 14-15 and 28-29 2025. Passers by were invited to read or contribute to a 'wall' of text reflecting on their habits with regard to shopping. Shane was present, introducing each visitor to the idea of slow process of making and of how shifts in technology and culture have changed methods of manufacture of clothing.
The artwork was on site for four full days, and in this time over 100 people stopped and engaged with Shane, while dozens more stopped to read the responses but did not speak with the artist. 65 written responses were collected from people over the four days, and each was given a basic introduction to the history of Limerick Lace and the contemporary work of Friends of Lace Limerick.
The work was designed to interrupt a busy thoroughfare with an artwork that was clearly out of place, a quiet moment in a loud space. It was made from planed timber and mesh fabric in a location surrounded by smooth veneer, plastic and advertising boards. The audience were mostly people that are often not engaged or reached by galleries or museums, and were given a chance to both understand and contribute to ideas around clothing and care. While most people who stopped had a good understanding of unsustainable clothing manufacture practices, many had never heard of Limerick Lace and were interested in the history of local manufacture and cottage culture.
A presentation of the artwork along with a string-based installation was made by Shane Finan at a Culture Night event in the Citizen's Innovation Lab, Limerick, September 19th 2025. At this event Shane performed the making of string figures as an event, considering the loss of storytelling through the loss of this artform.
socially engaged sculpture
i created string figures as part of a performance with the sculptural installation
visitors werer invited to respond to prompts about the entanglement of technology, clothing manufacture, and lace
detail of the installation in citizen's innovation lab
detail of the sculpture from another angle
a hex, 2025, signal app sticker set,
Using research from this project, I created a sticker set on the app Signal to promote alternatives to commercial messaging platforms and to juxtapose media by assigning emotional responses to abstract and arbitrary images of lacemaking.
The set is available to download for Signal users at this link.
influences
things I read or saw that helped create this project
- hélène bradley davies, ursula callaghan, maura cronin are ye going up town?: shops and shopping in limerick (2020) book
- naomi klein no logo (2000) book
- naomi klein this changes everything (2014) book
- mario schulze & sarine waltenspul string figures (2025) book, exhibition
- sofi thanhauser worn (2022) book
collaborators
The wonderful folk in various places
Síolta Glasa project partners
- eva ryley, toni o'malley and gabriela avram, friends of lace limerick, community partner
- sarah o'farrell & darren barry, limerick arts office/limerick county council
- ger walsh, fergal quinn & john morrisseyuniversity of limerick
and everyone
- amy and mella
- dad and mom
- sheila and colin
- caitríona
- the international string figures association
- arthur's quay shopping centre
financial support
people or organisations who helped fund the work
- Creative Ireland
- Limerick Arts Office