Filling The Void: Art in disused urban spaces in Ireland

One of the most notable visual effects of the international economic crash in 2008 on the western landscape was the sudden closure of hundreds of small and large businesses, and the emergence of idle business premises in urban centres. From factories to fashion boutiques, empty spaces corrupted the urban landscape and spread like a pandemic through cities and towns in Europe and America from 2008 onward.

In town and city centres the effect was most visible as large chain stores began to go into receivership and their commercial outlet units began to shut up shop. Usually located in prime areas, these vacated properties created trails of desolate spaces in urban areas. The result was for these spaces to lie idle, in some cases for the past four years. Continue reading “Filling The Void: Art in disused urban spaces in Ireland”

Budapest in a nutshell, on a shoestring (January 2011)

Picture courtesy of Amy

The towns of Buda and Pest were amalgamated into one city in 1873. The monumental castle of Buda became the focal point for the new city; it sits enormous on the west bank of the Danube. It is the latest in a long line of castles to be raised and razed in this spot, the current castle is a Frankenstein’s monster consisting of parts of the 18th Century upgrade and reconstructed areas of the medieval castle amongst others after the castle was heavily damaged in World War II.

The amalgamation of histories and styles is a reflection of the central European hodge-podge that is the capital of Hungary. Landlocked in the centre of Europe, Budapest’s history has seen war after war Continue reading “Budapest in a nutshell, on a shoestring (January 2011)”

Illuminating the Grotesque: Crawling into political satire

For any who have ever experienced caving, you will remember unsure footing, tight squeezes and low-hanging rocks and the claustrophobic feeling that can come in the moist earthy air. You will be aware of how extraordinarily dark it can be in the gloomy underground. It can be stifling and unsettling in the depths of a cave, but with light to guide the way, the experience can instead be extremely fulfilling. Continue reading “Illuminating the Grotesque: Crawling into political satire”

Future Shock! – How popular culture views the future

[youtube http://www.youtube.com/watch?v=b8J38ElzbAM]

The future is coming, or so they say. And as it approaches us head-on, we can do little to avoid collision with its impending certainty. I for one am looking forward to the invention of hoverboards in 2015, but am still nervous every time I turn on my computer of the day when robots rule the earth.

There are various artistic visions of how the future will pan out. In films and books we have been shown everything from sleek space-age technological dreams to dark, zombie-infested post-apocalyptic worlds, from grim cyberpunk metropolises Continue reading “Future Shock! – How popular culture views the future”

Blink and You’ll Miss It: Events on the Internet

perennial |pəˈrenēəl|

1640s, “evergreen,” formed in English from L. perennis “lasting through the year (or years),”
adjective
lasting or existing for a long or apparently infinite time; enduring
(of a plant) living for several years

Some things last a long time. Others are over in an instant, as they pass from the near future into the recent past. This piece concerns the former. Some occurrences seem to become mainstays overnight. Although certainly nothing lasts forever, some events can span lifetimes or generations. Continue reading “Blink and You’ll Miss It: Events on the Internet”

Caribou at NASA, Reykjavik (Tuesday, June 28, 2011)

Caribou are an enigma. The band perform with an elaborate amount of gusto live but seem to lack impact on recording. Caribou is Canadian multi-instrumentalist David Snaith and his live stage crew (i.e. Ryan Smith, Brad Webel and John Schmersal).

The most recent album, Swim, was a catchy electronic mish-mash, but does not withstand extended listens and seems to get lost in it’s own tame mixing and recording. However, live Caribou hit hard. The full band create a wash of energy and vitality that contradicts the album completely. They played a relatively intimate show in NASA, Reykjavik in June 2011.

Sinfang at NASA on the night

Supported by the exciting and engaging Icelandic act Sin Fang Bous (the solo project of Sindri Már Sigfússon of Seabear) the night started brightly, Continue reading “Caribou at NASA, Reykjavik (Tuesday, June 28, 2011)”

Halves at The Model, Sligo (Friday November 5, 2010)

Halves are one of the emerging scene of outstanding Irish music acts. Alongside a host of other swirling-noisemakers, Halves stand out from the crowd with their infectious melodies and brooding compositions.

After travelling to Montreal to record their first full release a full two years after the band first broke onto the Irish music scene, Halves departed on a brief tour of Ireland. Known to the country’s music aficionados but still something of a mystery to those outside of it, they have grown in reputation thanks to a host of laudable live performances and gained notice at festival dates in recent years.

[youtube http://www.youtube.com/watch?v=Bgz9A-XlCgA]

The Model, Sligo can be a difficult venue. There is a high seating capacity in the Black Box performance room, Continue reading “Halves at The Model, Sligo (Friday November 5, 2010)”

Anna Calvi at Vicar Street, Dublin (Saturday November 19, 2011)

Anna Calvi has exploded onto the UK music scene over the last few years. She has seen her work nominated for the Mercury Music Awards and the Brit Awards in 2011 and 2012. Her self-titled debut album featured collaboration from Brian Eno and Dave Okumo from The Invisible, and was produced by renowned producer Rob Ellis. She had previously worked with the recent folk revival’s golden boy Johnny Flynn, and has played support to major acts Interpol and Grinderman.

Anna Calvi Live at Vicar Street

Certainly on record Calvi’s early career has seen some bustling activity. Boasting a robust guitar sound and overwhelming vocal prowess, Calvi’s music has garnered a flurry of attention, being compared to acts as broad as Jeff Buckley, PJ Harvey and Ennio Morricone. Continue reading “Anna Calvi at Vicar Street, Dublin (Saturday November 19, 2011)”

Sixteen Years for Fifteen Seconds: How long should you view a work of art?

Look at the painting…

In 2010 James Elkins, Art Critic and Historian of the School of the Art Institute, Chicago, wrote a piece entitled How Long Does it Take To Look at a Painting? for The Huffington Post. In this piece the author describes an encounter with an elderly lady who he estimates, over decades of visits to the Art Institute of Chicago, spent at least 3,000 hours looking at Rembrandt’s painting Young Woman at an Open Half-Door (below).

Rembrandt – Young Woman at an Open Half-Door (1645)

Last year the online version of the tabloid The Daily Mail published a biting piece about the brief moments that viewers spend viewing contemporary art, leading with the jaundiced headline We all know what we like, and it’s not modern art!

The basic premise of the Daily Mail’s piece was to prove via observation that viewers spend an average of as little as 5 seconds looking at works by important contemporary artists such as Rachel Whiteread or Tracy Emin in the TATE Modern. Their conclusion was that viewers do not like looking at modern art.

Far be it from me to accuse The Daily Mail of canny journalism, Continue reading “Sixteen Years for Fifteen Seconds: How long should you view a work of art?”

To define “Time” in ten words or less

We can all define time. We all understand what it is and how it works, right? The challenge: to define time in ten words or less.

The Oxford English Dictionary summarise time pretty well:

time

Pronunciation: /tʌɪm/ noun 1 [mass noun] the indefinite continued progress of existence and events in the past, present, and future regarded as a whole

That’s exactly what I would have said.

The concept is straightforward for anyone Continue reading “To define “Time” in ten words or less”