painting/film.ireland.com – Historical culture in modern Irish film

I come from a nation that spends quite a large proportion of its time running from its visual history. Irish people often disregard the “Celtic” roots, the patterns and spirals and the ancient mythic tales of wars, magic and nature as fodder for American tourists. There is an unspoken desire to “move forward”, to reflect Ireland as the technological centre of western Europe, to emphasise how we have “caught up” and become part of the modern world. “We’re not pagan bog people anymore!” we shout emphatically at anyone who will listen, “We’ve built motorways and tall buildings so Intel and Facebook and Google would come!”

There is sometimes a lack of pride in the magic and runes of the ancient history and folklore in our country. Contemporary Irish art and design often analyse global themes and use global methods. Our current artists take pride in being well-travelled and educated in the artwork of Europe and America. Irish film is polished and masked with an international professionalism. Yet regardless of our motivation the island itself has trapped our ancient culture within, and the influence of the visual arts of our country is inescapable.

Culture is endlessly intertwined with place and history. While watching modern English cinema I often think of JMW Turner and his use of muted colours and sprawling compositions. Turner’s paintings are fastidious in the foreground, containing detail and narrative. These foregrounds are often overshadowed by bleak and near-colourless skies and background imagery that consume most of the space on the canvas.

Left: still from “This Is England” (courtesy of fanpix.net, click image for link)
Right: JMW Turner’s “Cologne The Arrival Of A Packed Boat Evening” (courtesy of oceansbridge.com, click “near-colourless skies” above image for link)

Taking the example of modern English film This Is England, Continue reading “painting/film.ireland.com – Historical culture in modern Irish film”

Nostalgia for New York 2: Referencing reality

At the end of last year I wrote a piece called Nostalgia for New York, which essentially looked at the idea of nostalgia that I was able to associate with a place that I had never been to. While writing that piece I was unaware that I would be in New York four months afterward, but circumstance and chance conspired and I found myself spending some time in the grand metropolis of the east coast of the USA recently, and this gave me the opportunity to rethink some of the topics I had originally looked at regarding New York.

It’s not that I had tried to write about New York specifically when writing the original piece – I was more tinkering with a popular culture model of the city; looking at how New York was portrayed and how this portrayal changed as I grew up. So one of the striking things I then found about actually hitting New York City was recognising all of these places that I had seen before in movies, TV shows or video games. Everything seemed bizarrely familiar – it wasn’t quite deja-vu, but more like borrowing another person’s memory to make sense of something that I was seeing Continue reading “Nostalgia for New York 2: Referencing reality”

Red Phone-boxes: Ireland North and South

On a very recent trip to the north of Ireland from my home south of the border, I was asked by a friend and fellow traveller if I had encountered any culture shock after crossing into Northern Ireland. She had never visited up north before, being from further south in the country. The thought had never struck me.

When I was growing up Northern Ireland was the place that scandalised the headlines constantly with news of the bombings and beatings and various atrocities of the ongoing war in that area, and also where my parents would go to shop cheap. As a young child the troubles were an ambiguous thing at the very least, and the mention of towns I knew quite well like Omagh and Enniskillen were just mentions of places where awful things happened, but they never seemed that bad. The money was Pound Sterling, not the good old Irish Punt, the post-boxes and phone-boxes were red, not green. Continue reading “Red Phone-boxes: Ireland North and South”