Seeing Scene Seen – Everything we read is art

four symbols representing words - "ewe can reed art"

From the moment we learn to read the English language (presuming you can if you are reading this), we learn to decipher a series of characters twenty-six letters long, give or take. Each character has a sound associated with it, and we hear these sounds as we read. The characters are all symbols, each with its own significance to our understanding. SSSSSSSSSSSS can represent a long, hissing sound, just as KAKAKAKAKA could be a machine gun. We learn this system of graphics, recognising the line across the top of a T as opposed to the one that is missing on an I, and we make sense of the words that are written by scanning these graphic signs and creating words from our understanding of their sounds.

Far before we learn to read and decipher the graphic symbols of this Latin alphabet, we learn another language. This is the language of the visual, and it involves the same method of deciphering what we see into other forms, but it is different as with this language we do not necessarily have a spoken language to go along with it. At our youngest and most naive, we decipher the symbols of the people raising us, seeing their representations as those of family or friends, but we do not recognise any link between these people and language. Instead, we simply categorise and recognise, realising that there is something different about these people to the people that we pass in the street. Continue reading “Seeing Scene Seen – Everything we read is art”

Spking fnetics: Bil Brysn’s “Muthr Tung” & txt spk :-o

Image courtesy of Penguin Books, click for link

In 1990, Bill Bryson’s comprehensive book about the history of the English language, Mother Tongue was published. In it, Bryson analyses the origins and evolutions of the English language from its conception to the date of publication of the book. Throughout the book, he places emphasis on the mixed etymological origins of many words and phrases.

Bryson notes various spelling anomalies in the English language. Some include the use of gh as an f sound, for example in enough, or the use of silent letters, such as the s in aisle. Much of the reason for many of the obscure spellings occur due to archaic spellings fromĀ  mixed cultural origins, for example debt‘s silent b, with origins in the Latin word debitum, or the French origins of the spelling of debonnaire. Continue reading “Spking fnetics: Bil Brysn’s “Muthr Tung” & txt spk :-o”