Disneyland and Digital Life – What we will leave behind

 

“I should like to wake up in a hundred years’ time and to have just a peep out of one eye at what is happening in science.” – protagonist Nicolai Stepanovich in Anton Chekhov’s A Dreary Story

I‘d like to just start with a little piece of housekeeping. I was delighted to learn this weekend that Moon Under Water is a finalist in the Best Arts / Culture category at the Blog Awards Ireland. Thank you to all readers and to the judges of the awards – I will notify through here and through the blog’s social media pages of the final results after the awards ceremony on October 13th. Please click here for a link to all finalists in all categories, and give all the other blogs a look over – there is some terrific stuff in there.

I recently read an article in Art Forum magazine online entitled Digital Divide by Claire Bishop. The in-depth piece deals with the shortcomings of the age of the digital within the world of contemporary art. With sound philosophical and art historical reasoning throughout, the conclusion that Bishop arrives at is rather interesting as it suggests a dichotomy of futures for the world of visual art. Echoing the 1980s doomsday art critics, the piece argues that either the digital age will herald a new dawn in the way art is viewed and produced, or it could mean the end of art altogether.

Something puzzling about the digital age that I often muse over is what trace will be left behind for future historians to mull over. Today our historical record is mostly taken from the artefacts, art, tools and architecture of past generations. It is the little grains of past civilisations that give us some form of understanding of their culture or group identities, as well as their level of technological advancement. Continue reading “Disneyland and Digital Life – What we will leave behind”