media: video, painting, digital media, online
concepts: networks, place, environment, technology, culture
Under the soil, trees and fungi connect together, sharing resources and messages. In healthy
forests, trees can protect each other by warning of impending disease. But in mono-crop plantations,
As we move into the third decade of the 21st Century, many people are
reconsidering how we live together. Can we find a posthuman future? Can we learn to depend on one
another, and on our surrounding environment, mutually?
This is a project about networks, in forests, communities and technologies.
glenn albrecht Earth Emotions: New Words for a New World Cornell University Press, 2019.
karen barad what is the measure of nothingness (2012)
rosi braidotti the posthuman (2013)
judith butler the force of nonviolence (2020)
deleuze and guattari anti-oedipus (1977)
michel foucault madness and civilisation (1961)
kristoffer gansing & inga luchs the eternal network (2020)
david haskell the forest unseen (2013)
katie holten about trees (2015)
erling kagge silence (2017)
anna lowenhaupt tsing the mushroom at the end of the world: on the possibility of life in capitalist ruins (2015)
john mcgahern that they may face the rising sun (2002)
lucy neal playing for time (2015)
mary robinson climate justice (2016)
merlin sheldrake entangled life (2016)
nan shepherd the living mountain (1977)
henry david thoreau walden (1854)
olga tokarczuk drive your plow over the bones of the dead (2016)
peter wohlleben the hidden life of trees (2015)
andrea wulf the invention of nature (1854)
A new project began in January 2020, which included a planned residency at
Kielderhead Wildwood Project,
Kielder, UK. The residency is part of the Visual Art in Rural Communities residency programme
ENTWINED: Rural Land Lives Art.
The one-month residency will see new research into forest networks and how trees communicate, and a
comparison with community and digital networks. A regular series of video posts, and a selection of
installations built on-site will complement this documentation. The residency was postponed due to the
COVID-19 pandemic lockdown restrictions. It will now take place in April 2021.
This project will conclude the five year long Antikythera
Etc., and will contribute new works to the project Solastalgia.
Supported by the Arts Council of Ireland Travel & Training Award.
A project on the idea of networks, looking at the discovery of the "wood wide web", or how trees communicate with each other,
and drawing this together with communities of people and digital networks online. Influenced directly
and concequentially by the COVID-19 pandemic. This project was due to be carried out during a
residency at Kielderhead
Wildwood Project, Northumberland Wildlife Trust (UK), with Visual Arts in Rural Communities ,
but was postponed due to the pandemic restrictions on travel.
The videos were made during social distancing, while research for the project continued (March-June 2020).
The link between communication and isolation became part of the project.
Videos from the series Never Just a Tree can be viewed on VARC's Vimeo channel linked to the
Introduction Video Essay: Never Just a Tree #1 - Introduction
The title of the series is taken from a personal communication with
Professor Lynne Boddy,
Biosciences, Cardiff University. She was explaining that we need to look at trees in the context of all
of their surrounding environment, not just as standalone objects.
The final artwork in the series Antikythera, Etc. was created in October 2020. This 5-year project comes to an end, and a new beginning, in the Wood Wide Web project.
View a video of this project below:
An interactive installation that invited audience members to plant tubes of light and activate a mycorrhizal system of lights below, inside a completely dark room. The tubes acted as torches, allowing audience members to make their way through and explore other artworks that were dotted around the space.
The overall project is accompanied with text pieces that I am creating from the research that is being carried out.
The writing supplements the artworks, and documents the networks that were formed in the process of making the
Project publications to date:
With all of our technologies to communicate and demarcate, we try to distance ourselves from these species, these places, these 'others' that we see as unlike ourselves. And yet, time and again, we fail in this distancing.
from We, the Mycorrhizae, 2020
To build a network is to build a future. The idea of grievability, of grief in the future tense, requires enough imagination to see beyond today and to create a place that has value enough to be grieved.
from A Different Kind of Grief, 2020
Drawing from the research on this project, I have created a triptych of web-based artworks about trees, growth, hope,
community and collaboration. These are linked in the images below. All of the photographs have been
taken on-site at Kielderhead Wildwood Project, Kielder, UK during a residency in April 2021.
Part of the process in this project is trying to engage an alternate online community, outside of
those represented by the mono-culture of centralised online platforms.
To this end, I have contacted many of the activists and engaged people on my 'community' list, and
here I document some of the interactions I have had.
Note: The Fediverse is a collection of
online, open source platforms for social interaction that operate outside the mainsteam platforms like Google or
Facebook. Most of the platforms that I explore here are part of the Fediverse.
Note 2: I am absolutely not a supporter of technological utopia, but do believe that there are good
ideas in technology, and want to explore these toward a better, and more mutually connected
future. This includes ad-hoc, community led networks, and online platforms for sharing and information.
Using the online platform Mastodon, I carried out a
Socratic Dialogue about the strengths and weaknesses of peer-controlled social networks.
The following link shows the full conversation, including a range of participants from
different backgrounds: view here.
The Socratic Dialogue asked the question: "How to avoid an echo chamber...Is there a danger of exclusivity?",
referring to the peer-controlled networks of the Fediverse.
The answers spawned the following list of results from the continued questioning:
I have built a blog on Pleroma, and a connected server, using Raspberry Pi and following this guide. This
will be used later in the project, when I begin documenting the development of the interactive
artworks once I arrive at Kielder.
I have ongoing profiles on Mastodon, PeerTube, Scuttlebutt and Diaspora; the latter has been active since 2013.
I work with open source technologies, including Raspberry Pi and Arduino, and will use these in later parts
of this project/
Probably the most important part of this project is the dialogues that are happening with people directly involved, and with people outside the project.
The community and volunteers at Kielderhead Wildwood Project are supplemented by an online community and a community of
experts, all of whom have been part of my ongoing dialogue, supporting this project with their time, expertise,
and engagement. I list here the people who I have been lucky enough to speak to, work with, or communicate with in another way
and who are influencing the project as it continues.
My thanks and love to all!